Can she excuse my wrongs with Virtue's cloak?
Shall I call her good when she proves unkind?
Are those clear fires which vanish into smoke?
Must I praise the leaves where no fruit I find?
No, no, where shadows do for bodies stand
Thou may'st be abus'd if thy sight be dimmed
Cold love is like to words written on sand
Or to bubbles which on the water swim
Wilt thou be thus abused still
Seeing that she will right thee never?
If thou cans't not o'ercome her will
Thy love will be thus fruitless ever
Wilt thou be thus abused still
Seeing that she will right thee never?
If thou cans't not o'ercome her will
Thy love will be thus fruitless ever
Was I so base, that I might not aspire
Unto those high joys which she holds from me?
As they are high, so high is my desire
If she this deny, what can granted be?
If she will yield to that which Reason is
It is Reason's will that Love should be just
Dear, make me happy still by granting this
Or cut off delays if that I die must
Better a thousand times to die
Than for to live thus still tormented
Dear, but remember it was I
Who for thy sake did die contented
Better a thousand times to die
Than for to live thus still tormented
Dear, but remember it was I
Who for thy sake did die contented
Fine knacks for ladies, cheap, choice, brave and new,
Good pennyworths but money cannot move,
I keep a fair but for the fair to view,
A beggar may be liberal of love.
Though all my wares be trash, the heart is true.
Great gifts are guiles and look for gifts again,
My trifles come as treasures from my mind,
It is a precious jewel to be plain,
Sometimes in shell the Orient's pearls we find.
Of others take a sheaf, of me a grain.
Within this pack pins, points, laces and gloves,
And divers toys fitting a country fair,
But in my heart, where duty serves and loves,
Turtles and twins, Court's brood, a heav'nly pair.
Happy the man that thinks of no removes.
Come heavy sleepe the image of true death
And close up these my weary weeping eyes
Whose spring of tears doth stop my vitall breath
And tears my hart with sorrows sigh swoln cries
Come and posses my tired thoughts worn soul
That living dies, that living dies, that living dies
Till thou on me be stoule
Come and posses my tired thoughts worn soul
That living dies, that living dies, that living dies
Till thou on me be stoule
Come shape of rest and shadow of my end
Allied to death child to his blackfac'd, his blackfac'd night
Come thou and charme these rebels in my breast
Whose waking fancies doe my mind affright
O come sweet sleepe come or I die for ever
Come ere my last, comes come ere my last sleepe comes
Or come, or come never
Cleare or cloudie sweet as April showring,
Smooth or frowning so is hir face to mee,
Pleasd or smiling like milde May all flowring,
When skies blew silke and medowes carpets bee,
Hir speeches notes of that night bird that singeth,
Who thought all sweet yet jarring notes outringeth.
Hir grace like June, when earth and trees bee trimde,
In best attire of compleat beauties height,
Hir love againe like sommers daies bee dimde,
With little cloudes of doubtfull constant faith,
Hir trust hir doubt, like raine and heat in Skies,
Gently thundring, she lightning to mine eies.
Sweet sommer spring that breatheth life and growing,
In weedes as into herbs and flowers,
And sees of service divers sorts in sowing,
Some haply seeming and some being yours,
Raine on your herbs and flowers that truly serve,
And let your weeds lack dew and duly starve.
The lowest trees have tops, the ant her gall
The fly her spleen, the little spark his heat;
The slender hairs cast shadows, through but small,
And bees have stings, although they be not great;
Seas have their source, and so have shallow springs;
And love is love, in beggars and in kings.
Where waters smoothest run, there deepest are the fords,
The dial stirs, yet none perceives it move;
The firmest faith is found in fewest words,
The turtles cannot sing, and yet they love;
True hearts have ears, and eyes, no tongues to speak;
They hear, and see, and sign, and then they break
Come again! sweet love doth now invite
Thy graces that refrain
To do me due delight,
To see, to hear, to touch, to kiss, to die,
With thee again in sweetest sympathy.
Come again! that I may cease to mourn
Through thy unkind disdain;
For now left and forlorn
I sit, I sigh, I weep, I faint, I die
In deadly pain and endless misery.
All the day the sun that lends me shine
By frowns doth cause me pine
And feeds me with delay;
Her smiles, my springs that makes my joy to grow,
Her frowns the winter of my woe.
All the night my sleeps are full of dreams,
My eyes are full of streams.
My heart takes no delight
Have you seen but a bright lily grow Before rude hands have touched it?
Have you marked but the fall of snow
Before the soil hath smutched it?
Have you felt the wool of beaver,
Or swan's down ever?
Or have smelt o' the bud o' the brier,
Or the nard in the fire?
Or have tasted the bag of the bee?
O so white, O so soft, O so sweet is she!
In darkness let me dwell; the ground shall sorrow be,
The roof despair, to bar all cheerful light from me;
The walls of marble black, that moist'ned still shall weep;
My music, hellish jarring sounds, to banish friendly sleep.
Thus, wedded to my woes, and bedded in my tomb,
O let me dying live, till death doth come, till death doth come.
You'll remember me when the west wind moves
Upon the fields of barley
You'll forget the sun in his jealous sky
As we walk in fields of gold
So she took her love for to gaze awhile
Upon the fields of barley
In his arms she fell as her hair came down
Among the fields of gold
Will you stay with me? Will you be my love?
Among the fields of barley
We'll forget the sun in his jealous sky
As we lie in fields of gold
See the west wind move like a lover so
Upon the fields of barley
Feel her body rise when you kiss her mouth
Among the fields of gold
I never made promises lightly
And there have been some that I've broken
But I swear in the days still left
We'll walk in fields of gold
We walk in fields of gold
Many years have passed since those summer days
Among the fields of barley
See the children run as the sun goes down
Among the fields of gold
You'll remember me when the west wind moves
Upon the fields of barley
You can tell the sun in his jealous sky
When we walked in fields of gold
When we walked in fields of gold
When we walked in fields of gold
Just a castaway
An island lost at sea
Another lonely day
With no one here but me
More loneliness
Than any man could bear
Rescue me before I fall into despair
I'll send an SOS to the world [2x]
I hope that someone gets my [3x]
Message in a bottle [2x]
A year has passed since I wrote my note
But I should have known this right from the start
Only hope can keep me together
Love can mend your life
But love can break your heart
I'll send an SOS to the world [2x]
I hope that someone gets my [3x]
Message in a bottle [4x]
Walked out this morning
Don't believe what I saw
A hundred billion bottles
Washed up on the shore
Seems I'm not alone at being alone
A hundred billion castaways
Looking for a home
I'll send an SOS to the world [2x]
I hope that someone gets my [3x]
Message in a bottle [4x]
Songs from the Labyrinth is the eighth studio album by British singer-songwriter Sting. On this album, he collaborates with Bosnian lutenist Edin Karamazov. The album features music by John Dowland (1563-1626), a lutenist and songwriter. It entered the UK Official Albums Chart at number 24 and reached number 25 on the Billboard 200. The release was a slow seller for a Sting album, his first since 1986's Bring on the Night to fail to break the UK top 10.
The album was released and re-released in several versions: LP vinyl and CD editions with 23 tracks, a CD/DVD edition with 8 tracks on the CD and a DVD documentary, The Journey and the Labyrinth (released in both "CD size" and "DVD size" packaging), and a CD re-release with 26 tracks (including live versions of Sting's own "Fields of Gold" and "Message in a Bottle", originally recorded with The Police).
In late August 2013, a "Dowland Anniversary Edition" was released, which includes 32 tracks on one CD (the full original album, six live versions of album tracks and Sting's non-Dowland live songs), as well as a DVD with the original documentary.