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Talking Heads - Remain in Light Album Lyrics



Talking Heads - Remain in Light Lyrics






Born Under Punches (The Heat Goes On)

Take a look at these hands.
Take a look at these hands.
The hand speaks. The hand of a government man.
Well I'm a tumbler. Born under punches.
I'm so thin.

All I want is to breathe. I'm too thin.
Won't you breath with me?
Find a little space, so we move in-between. In-between it.
And keep one step ahead, of yourself.

Don't you miss it, don't you miss it.
Some 'a you people just about missed it! Last time to make plans!
Well I'm a tumbler...
I'm a Government Man.

Never seen anything like that before.
Falling bodies tumble 'cross the floor. Well I'm a tumbler!
When you get to where you wanna be. Thank you! Thank you!
When you get to where you wanna be. Don't even mention it!

Take a look at these hands. They're passing in-between us.
Take a look at these hands.
Take a look at these hands. You don't have to mention it.
No thanks. I'm a Government Man.

And the heat goes on...And the heat goes on...And the heat goes on...
And the heat goes on...Where the hand has been...And the heat goes on...And the heat goes on...And the heat goes on...
And the heat goes on...And the heat goes on...And the heat goes on...And the heat goes on...
...Where the hand has been...And the heat goes on...And the heat goes on...

I'm not a drowning man!
And I'm not a burning building! (I'm a tumbler!)
Drowning cannot hurt a man!
Fire cannot hurt a man. (Not the Government Man.)

All I want is to breathe. Thank you. Thank you.
Won't you breath with me?
Find a little space...So we move in-between. I'm so thin.
And keep one step ahead of yourself. I'm catching up with myself.

All I want is to breathe.
Won't you breath with me. Hands of a Government Man.
Find a little space so we move in-between.
And keep one step ahead of yourself. Don't you miss it! Don't you miss it!

And the heat goes on...And the heat goes on...And the heat goes on...And the heat goes on...Where the hand has been...And the heat goes on...And the heat goes on...And the heat goes on...And the heat goes on...
Where the hand has been...And the heat goes on...And the heat goes on...And the heat goes on...
And the heat goes on...
[ Correct these Lyrics ]

Writer: DAVID BYRNE, CHRIS FRANTZ, TINA WEYMOUTH, JERRY HARRISON, BRIAN ENO
Copyright: Lyrics © Universal Music Publishing Group, Warner Chappell Music, Inc.






Crosseyed and Painless

Lost my shape,
Trying to act casual.
Can't stop,
I might end up in the hospital.
Changing my shape,
I feel like an accident.
They're back,
To explain their experience

Isn't it weird?
Looks too obscure to me
Wasting away
And that was their policy

I'm ready to leave
I push the fact in front of me
Facts lost
Facts are never what they seem to be
Nothing there,
No information left of any kind
Lifting my head
Looking for danger signs

There was a line
There was a formula
Sharp as a knife
Facts cut a hole in us
There was a line
There was a forula
Sharp as a knife
Facts cut a hole in us

Still waiting (repeat)

The feeling returns
Whenever we close our eyes
Lifting my head
Looking around inside

The island of doubt
It's like the taste of medicine
Working by hindsight
Got the message from the oxygen
Making a list
Find the cost of opportunity
Doing it right
Facts are useless in emergencies

The feeling returns
Whenever we close our eyes
Lifting my head
Looking around inside.

Facts are simple and facts are straight
Facts are lazy and facts are late
Facts all come with points of view
Facts don't do what I want them to
Facts just twist the truth around
Facts are living turned inside out
Facts are getting the best of them
Facts are nothing on the face of things
Facts don't stain the furniture
Facts go out and slam the door
Facts are written all over your face
Facts continue to change their shape

I'm still waiting
[ Correct these Lyrics ]

Writer: DAVID BYRNE, CHRIS FRANTZ, TINA WEYMOUTH, JERRY HARRISON, BRIAN ENO
Copyright: Lyrics © Warner/Chappell Music, Inc., Universal Music Publishing Group






The Great Curve

Sometimes the world has a load of questions
Seems like the world knows nothing at all
The world is near but it's out of reach
Some people touch it...but they can't hold on.

She is moving to describe the world
Night must fall now-darker, darker.
She has messages for everyone
Night must fall now-darker, darker.
She is moving by remote control
Night must fall now-darker, darker.
Hands that move her are invisible
Night must fall now-darker, darker.

The world has a way of looking at people
Sometimes it seems that the world is wrong
She loves the world, and all the people in it
She shakes 'em up when she start to walk.

She is only party human being
Divine, to define, she is moving to define, so say so, so say so
She defines the possibilities
Divine, to define, she is moving to define, so say so, so say so
Holding on for an Eternity
Divine, to define, she is moving to define, so say so, so say so
Gone...ending without finishing
Divine, to define, she is moving to define, so say so, so say so

The world moves on a womans hips
The world moves and it swivels and bops
The world moves on a womans hips
The world moves and it bounces and hops

A world of light...she's gonna open our eyes up
A world of light...she's gonna open our eyes up
She's gonna hold/it move/it hold it/move it hold/it move it hold/
it move it
A world of light...she's gonna open out eyes up

She is moving to describe the world
Night must fall now-darker, darker.
She has messages for everyone
Night must fall now-darker, darker.
She is moving by remote control
Night must fall now-darker, darker.
Hands that move her are invisible
Night must fall now-darker, darker.

Divine, to define, she is moving to define, so say so
Night must fall now-darker, darker.
She...has got to move the world...to move the world...to move
the world

A world of light...she's gonna open our eyes up
A world of light...she's gonna open our eyes up
She's gonna hold/it move/it hold it/move it hold/it move it hold/
it move it
A world of light...she's gonna open out eyes up

Wanna define...so say so, so say so
Divine to define, she is moving to define, so say so, so say so
Night must fall now-darker, darker.
She...has got to move the world...to move the world...to move
the world
[ Correct these Lyrics ]

Writer: David Byrne, Chris Frantz, Tina Weymouth, Jerry Harrison, Brian Eno
Copyright: Lyrics © Warner/Chappell Music, Inc., Universal Music Publishing Group






Once In A Lifetime

And you may find yourself living in a shotgun shack
And you may find yourself in another part of the world
And you may find yourself behind the wheel of a large automobile
And you may find yourself in a beautiful house, with a beautiful wife
And you may ask yourself, "Well, how did I get here?"

Letting the days go by, let the water hold me down
Letting the days go by, water flowing underground
Into the blue again after the money's gone
Once in a lifetime, water flowing underground

And you may ask yourself, "How do I work this?"
And you may ask yourself, "Where is that large automobile?"
And you may tell yourself, "This is not my beautiful house"
And you may tell yourself, "This is not my beautiful wife"

Letting the days go by, let the water hold me down
Letting the days go by, water flowing underground
Into the blue again after the money's gone
Once in a lifetime, water flowing underground

Same as it ever was, same as it ever was
Same as it ever was, same as it ever was
Same as it ever was, same as it ever was
Same as it ever was, same as it ever was

Water dissolving and water removing
There is water at the bottom of the ocean
Under the water, carry the water
Remove the water at the bottom of the ocean
Water dissolving and water removing

Letting the days go by, let the water hold me down
Letting the days go by, water flowing underground
Into the blue again, into the silent water
Under the rocks and stones, there is water underground
Letting the days go by, let the water hold me down
Letting the days go by, water flowing underground
Into the blue again after the money's gone
Once in a lifetime, water flowing underground

You may ask yourself, "What is that beautiful house?"
You may ask yourself, "Where does that highway go to?"
And you may ask yourself, "Am I right? Am I wrong?"
And you may say to yourself, "My God, what have I done?"

Letting the days go by, let the water hold me down
Letting the days go by, water flowing underground
Into the blue again, into the silent water
Under the rocks and stones, there is water underground
Letting the days go by, let the water hold me down
Letting the days go by, water flowing underground
Into the blue again after the money's gone
Once in a lifetime, water flowing underground

Same as it ever was, same as it ever was
Same as it ever was and look where my hand was
Time isn't holding up, time isn't after us
Same as it ever was, the same as it ever was
Same as it ever was, same as it ever was
Same as it ever was, same as it ever was
Same as it ever was
Here a twister comes, here comes a twister
Same as it ever was, same as it ever was (letting the days go by)
Same as it ever was, same as it ever was (letting the days go by)
Once in a lifetime, let the water hold me down
Letting the days go by, water flowing underground
Into the blue again
[ Correct these Lyrics ]

Writer: Brian Eno, Christopher Frantz, David Byrne, Jerry Harrison, Tina Weymouth
Copyright: Lyrics © Universal Music Publishing Group, Warner Chappell Music, Inc.






Houses In Motion

For a long time I felt
Without style and grace
Wearing shoes with no socks
In cold weather
I knew my heart
Was in the right place
I knew I'd be able
To do these things

And as we watch him
Digging his own grave
It is important to know
That was where he's at
He can't afford to stop
That is what he believe
He'll keep on digging
For a thousand years

I'm walking a line
I'm thinking about empty motion
I'm walking a line
Just barely enough to be living
Get outta the way (no time to begin)
This isn't the time (so nothing was done)
Not talking about (not many at all)
I'm turning around (no trouble at all)
You notice there's nothing around you, 'round you
I'm walking a line
Divide and dissolve

Never get to say much
Never get to talk
Tell us a little bit
But not too much
Right about then
Is where she give up
She has closed her eyes
She has give up hope

I'm walking a line
I hate to be dreaming in motion
I'm walking a line
Just barely enough to be living
Get outta the way (no time to begin)
This isn't the time (so nothing was done)
Not talking about (not many at all)
I'm turning around (no trouble at all)
I'm keeping my fingers behind me, 'hind me
I'm walking a line
Divide and dissolve

I'm walking a line
I'm visiting houses in motion
I'm walking a line
Just barely enough to be living
Get outta the way (no time to begin)
This isn't the time (so nothing was done)
Not talking about (not many at all)
I'm turning around (no trouble at all)
Two different houses surround you, 'round you
I'm walking a line
Divide and dissolve
[ Correct these Lyrics ]

Writer: DAVID BYRNE, CHRIS FRANTZ, TINA WEYMOUTH, JERRY HARRISON, BRIAN ENO
Copyright: Lyrics © Universal Music Publishing Group, Downtown Music Publishing, Warner Chappell Music, Inc.






Seen And Not Seen

He would see faces in movies, on T.V., in magazines, and in books....
He thought that some of these faces might be right for him....And
through the years, by keeing an ideal facial structure fixed in his
mind....Or somewhere in the back of his mind....That he might, by
force of will, cause his face to approach those of his ideal....The
change would be very subtle....It might take ten years or so....
Gradually his face would change its' shape....A more hooked nose...
Wider, thinner lips....Beady eyes....A larger forehead.

He imagined that this was an ability he shared with most other
people....They had also molded their faced according to some
ideal....Maybe they imagined that their new face would better
suit their personality....Or maybe they imagined that their
personality would be forced to change to fit the new appear-
ance....This is why first impressions are often correct...
Although some people might have made mistakes....They may have
arrived at an appearance that bears no relationship to them....
They may have picked an ideal appearance based on some childish
whim, or momentary impulse....Some may have gotten half-way
there, and then changed their minds.

He wonders if he too might have made a similar mistake.
[ Correct these Lyrics ]

Writer: DAVID BYRNE, CHRIS FRANTZ, TINA WEYMOUTH, JERRY HARRISON, BRIAN ENO
Copyright: Lyrics © Warner/Chappell Music, Inc., Universal Music Publishing Group






Listening Wind

Mojique sees his village from a nearby hill
Mojique thinks of days before Americans came
He sees the foreigners in growing numbers
He sees the foreigners in fancy houses
He thinks of days that he can still remember...now.

Mojique holds a package in his quivering hands
Mojique sends the package to the American man
Softly he glides along the streets and alleys
Up comes the wind that makes them run for cover
He feels the time is surely now or never...more.

The wind in my heart
The wind in my heart
The dust in my head
The dust in my head
The wind in my heart
The wind in my heart
(Come to) Drive them away
Drive them away.

Mojique buys equipment in the market place
Mojique plants devices in the free trade zone
He feels the wind is lifting up his people
He calls the wind to guide him on his mission
He knows his friend the wind is always standing...by.

Mojique smells the wind that comes from far away
Mojique waits for news in a quiet place
He feels the presence of the wind around him
He feels the power of the past behind him
He has the knowledge of the wind to guide him...on.

The wind in my heart
The wind in my heart
The dust in my head
The dust in my head
The wind in my heart
The wind in my heart
(Come to) Drive them away
Drive them away.
[ Correct these Lyrics ]

Writer: DAVID BYRNE, CHRIS FRANTZ, TINA WEYMOUTH, JERRY HARRISON, BRIAN ENO
Copyright: Lyrics © Warner/Chappell Music, Inc., Universal Music Publishing Group






The Overload

A terrible signal
Too weak to even recognize
A gentle collapsing
The removal of the insides

I'm touched by your pleas
I value these moments
We're order than we realize
...in someone's eyes

A frequent returning
And leaving unnoticed
A condition of mercy
A change in the weather

A view to remember
The center is missing
They question how the future lies
...in someone's eyes
The gentle collapsing
Of every surface
We travel on the quiet road
...the overload
[ Correct these Lyrics ]

Writer: DAVID BYRNE, CHRIS FRANTZ, TINA WEYMOUTH, JERRY HARRISON, BRIAN ENO
Copyright: Lyrics © Sony/ATV Music Publishing LLC, Warner/Chappell Music, Inc., Universal Music Publishing Group








Remain in Light is the fourth studio album by the American rock band Talking Heads, released by Sire Records on October 8, 1980. Produced by Brian Eno, his third album with the band, the album was recorded at Compass Point Studios in the Bahamas and Sigma Sound Studios in New York in July and August 1980.

After the release of Fear of Music in 1979, Talking Heads and Eno sought to dispel notions of the band as a mere vehicle for frontman and songwriter David Byrne. Drawing influence from Nigerian musician Fela Kuti, they blended African polyrhythms and funk with electronics, recording instrumental tracks as a series of looping grooves. The sessions incorporated a variety of side musicians, including guitarist Adrian Belew, singer Nona Hendryx, and trumpeter Jon Hassell.

Byrne struggled with writer's block, but adopted a scattered, stream-of-consciousness lyrical style inspired by early rap and academic literature on Africa. The artwork was conceived by bassist Tina Weymouth and drummer Chris Frantz, crafted with the help of the Massachusetts Institute of Technology's computers and design company, M&Co. The band hired additional members for a promotional tour, and following its completion went on a year-long hiatus to pursue side projects.

Remain in Light was acclaimed by critics, who praised its sonic experimentation, rhythmic innovations, and cohesive merging of disparate genres. The album peaked at number 19 on the US Billboard 200 and number 21 on the UK Albums Chart, and spawned the singles "Once in a Lifetime" and "Houses in Motion". It has been featured in several publications' lists of the best albums of the 1980s and of all time, and is often considered Talking Heads' magnum opus. In 2017, the Library of Congress deemed the album "culturally, historically, or aesthetically significant", and selected it for preservation in the National Recording Registry.
Performed By: Talking Heads
Genre(s): New wave, post-punk, dance-rock, afrofunk, worldbeat, art rock, psychedelic funk
Producer(s): Brian Eno
Length: 40:10
Released: October 8th, 1980
Year: 1980

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